SOLE OHA DANCE AS A CULTURAL COMMUNICATION MEDIA: AN ETHNOGRAPHIC STUDY OF THE EAST FLORES COMMUNITY

Authors

  • Lifitasari Wasis Faculty of Economic and Business, University of Dr. Soetomo, Surabaya, Indonesia
  • Dhimam Abror Faculty of Education, Universitas Negeri Surabaya, Surabaya, Indonesia
  • Zulaikha Faculty of Communication, University of Dr. Soetomo, Surabaya, Indonesia
  • Otto Fajarianto Faculty of Education, Universitas Negeri Malang, Malang, Indonesia
  • Nur'annafi Farni Syam Maela Faculty of Communication, University of Dr. Soetomo, Surabaya, Indonesia
  • Supaphorn Akkapin International Collage, Rajamangala University of Technology Krungthep

Keywords:

sole oha dance, cultural communication, cultural preservation, etnography of cultural identity

Abstract

This study aims to analyze the Sole Oha Dance as a traditional communication media in the Lamaholot ethnic community in East Flores, East Nusa Tenggara. However, globalization and popular culture spread through social media have reduced young people's interest in local regional dances. Young people who were previously active and involved in the traditional sole oha dance event are now more interested in foreign cultures that they consume digitally. This phenomenon shows the transformation of shifting values ​​and the potential for erosion of local cultural wealth, including the sole oha dance. Therefore, this study makes an important contribution to the preservation of unique and valuable local culture. This research method uses an ethnographic approach to explore the social meaning in the lyrics and dance movements, as well as its role as a traditional communication medium. This study found that the Soleh Oha Dance contains values ​​of togetherness, respect for customs, and gratitude which are manifested through traditional lyrics, dance movements, and its implementation involving all members of society. This dance is also used in various events, such as traditional ceremonies, religious celebrations, and thanksgiving activities, so that it becomes an important means of strengthening the unity and cultural identity of the community. The uniqueness of this study lies in its focus on aspects of cultural communication that are rarely explored in previous studies, especially the role of the Soleh Oha Dance as a means of conveying moral and religious messages that are relevant to the social life of the community. The results of this study are expected to be a reference for the government and local communities in designing cultural preservation programs and promoting the Soleh Oha Dance as a cultural tourism attraction in NTT. Thus, this study closes the research gap regarding the documentation and analysis of cultural values ​​in Lamaholot traditional art.

References

A, F. (2022). The Values of Islamic Religious Education in the Traditional Dances of the Lamaholot Community (Sole Oha Study, Lamakera Village). UIN Sunan Kalijaga.

A, W. (2021). Communication Anthropology: A Study of Symbolism in Traditional Dance Performances. Indonesian Journal of Communication Studies.

Aksara, J. (2024). The Symbolic Meaning and Philosophy Behind Traditional Indonesian Dance Movements. AKSARA: Journal of Language and Literature, 25(2), 760–772. https://doi.org/10.23960/aksara/v25i2.pp760-772

Bataona, E. D. (2023). Sole Oha Dance in Lembata, NTT: A Symbol of Unity and Family. NTT Express. nttmediaexpress.com/pariwisata/4249114738/tarian-sole-oha-di-lembata-ntt-simbol-persatuan-dan-kekeluargaan?utm_

Cai, H. (2024). The predicament of social sciences in the 20th century: a dialogue with Clifford Geertz’s essay “Thick description: toward an interpretive theory of culture” (Part I). International Journal of Anthropology and Ethnology, 8(1), 1–20. https://doi.org/10.1186/s41257-023-00102-2

E, S. (2020). Traditional Dance as a Vehicle of Identity and Communication Media. Indonesian Arts and Culture Journal.

Geertz, C. (2019). THE IMPACT OF THE CONCEPT OF CULTURE ON THE CONCEPT OF MAN. In Basic Books, Inc. New York 1973. https://doi.org/10.4324/9781315613192

Herdiani, E., Heriyawati, Y., & Iskandar, A. (2024). Back to Ritual: Virtual Indonesian Dance Performance on Social Media During Covid-19 Pandemic. Sarcouncil Journal of Arts and Literature, 3(5), 26–36.

Maryono, M. (2023). Dance as a Media of Actual Communication for Artists in Society. Acintya Journal of Arts and Culture Research, 14(2), 168–181. https://doi.org/10.33153/acy.v14i2.4665

Seran, P. (2023). BRIN and UCB Kupang Research the Indonesian Character Behind the Sole Oha Dance in the Flotim and Lembata Communities. Victoria News. https://www.victorynews.id/humaniora/33110047904/brin-dan-ucb-kupang-teliti-karakter-keindonesiaan-di-balik-tarian-sole-oha-pada-masyarakat-flotim-dan-lembata?utm_source=

Okan, A. K., Stefanus, K. Y., & Tupen, R. R. (2023). The Authority of Village Governments in Developing Local Culture. Artemis Law Journal, 1(1), 184–195. https://doi.org/10.35508/alj.v1i1.13412

Younas, A., Fàbregues, S., Durante, A., Escalante, E. L., Inayat, S., & Ali, P. (2023). Proposing the “MIRACLE” Narrative Framework for Providing Thick Description in Qualitative Research. International Journal of Qualitative Methods, 22, 1–13. https://doi.org/10.1177/16094069221147162

Downloads

Published

2025-12-07

How to Cite

Wasis, L., Abror, D., Zulaikha, Fajarianto, O., Maela, N. F. S., & Akkapin, S. (2025). SOLE OHA DANCE AS A CULTURAL COMMUNICATION MEDIA: AN ETHNOGRAPHIC STUDY OF THE EAST FLORES COMMUNITY. Proceeding of International Conference on Multidisciplinary Research, 3(1), 71–77. Retrieved from https://proceedingkptcn.com/index.php/icmr/article/view/79